Q: Any weird writers habits?

Since I write whenever and wherever I can, I think most of my habits are odd. I’m certainly not a light-a-few-candles-and-get-up-at-5-am type writer. Also, historically, I’ve not been the most organized: I have reams of notes on post-its and napkins, which I lose and/or find in the wash often. But I’m working on setting habits and getting organized. Thanks to a very supportive spouse, I get out of the house once a week for a 4-5 hour chunk of writing and, I’ve recently started buying enormous sketchbooks and keeping all my notes/outlines within them. Each new book or idea gets its own sketchbook. It’s a great way to stay organized and it makes me feel like they’re proto-books because they’ve got hardcovers and spines. I also swear by the Save the Cat method for outlining books, and that’s been tremendously helpful for all things pre-writing. Perhaps my oddest writers habit is that I obsessively buy domain names for my book titles and things related to the books. Last I checked, I owned ten (!!) domains related to my books.

Q: What projects are you working on next?

I'm writing this in Spring 2026, and I've got lots of things in the works: I have 3 YA book proposals out to my Peachtree editor, so fingers crossed there; I have a crossover sapphic Greek retelling heading out on sub soon; I just sold a picture book and have more I'm working on there; I'm drafting a fun new MG book; and, hopefully Becca and I will get to write more books in the Homegrown/Homeward world. More on all these soon!

Q: Any advice for new writers?

Don’t give up. Writing and publishing can be a long, hard slog and I think it helps for new/young writers to go in knowing that. (I (and my fragile heart) had no idea when I started. Sighhhh). Persistence and a certain amount of stubborn goddammit-I-won’t-give-up will help gird you for all the rejections and vicissitudes of the process. We hear so much about young writers getting six figure deals for their first books, but those are always the exceptional, lucky cases. Publishing is about timing, luck, and many other factors outside your control. Writing is about the joy of finding and telling a story. As much as you can, guard that joy. I’d also say try to find a community and do everything you can to lift them up. Give more than you take and nurture relationships with other writers. Through conferences and Pitch Wars, I’ve made some dear friends who read my work (and for whom I CP for in turn). We also cheer each other on, talk throughout the day, and are generally just a tremendous support system. They’ve truly been there for me through *so* much that would’ve crushed me if I’d been going it alone. Beyond persistence+ joy and finding community, I’d say practice your craft as much as you can. Not everything you write will be sellable, but you can learn a lot from writing it. There are also great writing resources out there, and using them for practice can help elevate your writing. I still feel like I have so much to learn and with each new book, I’m experimenting, pushing myself, and hoping to make something beautiful.

Q: Can you read my work?

Unfortunately, I cannot due to time constraints and working on my own projects. I would encourage you to connect with other writers through social media (RIP book Twitter) and local writing events to connect with writers and mentors. 🙂

Question 1

When and where can I buy your books?

Accepted Answer

Homeward for a Spell publishes on August 18, 2026. You can pre-order it here.

Amazon | B&N | Bookshop | Hudson Booksellers | Goodreads

The Hyacinth Labyrinth publishes on June 2, 2026. You can pre-order it here.

Amazon | B&N | Bookshop |Target | Goodreads

Homegrown Magic is out now. You can order it here:

Amazon | B&N | Bookshop  |Target | Goodreads

The Absinthe Underground is out now. You can order it here:

Amazon | B&N | Bookshop | Goodreads

Furious is out now. You can order it here:

Amazon | B&N | Bookshop | Goodreads

Lucky Girl is out now. You can order it here:

The Life and (Medieval) Times of Kit Sweetly is out now. Buy it here: 
Amazon| Barnes & Noble | Book Depository | IndieBound | Target

Question 2

Where did you get the ideas for your books?

Accepted Answer

Every new book comes with its own sources of inspiration, and I'm deeply inspired by history, art, and folklore. I'm curious about so many things and I'm always chasing a fun new story that started with an unlikely spark.

Here are a few specific inspirations:

I was inspired to write THE LIFE AND (MEDIEVAL) TIMES OF KIT SWEETLY after visiting a place similar to where Kit works in the story and realizing they still don’t let anyone other then cis-men fight as knights. Not ok! Once I got writing, however, I drew deeply from my many years as a waitress at a themed restaurant, my love of medieval history/fun facts, and some of my own personal history.

My second book, LUCKY GIRL, was inspired by my deep fascination with lotto winners and my ongoing desire to win loads of money to pay off all my debt, take care of my extended family, and see the world. But the more I researched about the lotto, the more I realized it was a mixed blessing. In fact, in many cases, a huge influx of money makes people do really stupid stuff. But would you say no to millions? I’m not sure I could. But my main character, Jane Belleweather, just might.

Question 3

How long have you been writing?

Accepted Answer

A long time. As a child, I wrote short stories and plays (which I made my long-suffering siblings perform). As a teenager, I wrote lots and lots of melancholy poetry. Then, in college, most of my time was taken up by writing essays for my history, philosophy, and English classes (and waitressing. I spent a lot of time waitressing).

After college (in 2001), I found myself adrift as I worked bookstore, nanny, and preschool teacher jobs, so I started writing fiction.  I also interned at Sourcebooks in 2003, but I had to leave that job due to a cross-country move. In general, I wrote everywhere and all the time— on my lunch breaks, on airplanes, in coffee shops. I even took writing with me on vacation (as you can see from this photo I just found…Waikiki 2005. I should’ve been at the beach, but instead I was in the dingy hotel, writing. Oooof.).

All this writing produced a lot of half starts, but I never a finished book and life got busy. In 2006 I went to grad school. Between 2008-2010, I had two kids. In those years, I ended up writing mostly non-fiction and memoir, especially about parenting and my oldest son’s autism diagnosis. This work was published in national magazines and extensively online. But I couldn’t give up on fiction. I interviewed writers whenever I could; I wrote while my kids were asleep in the car; and, eventually, in 2013, I finished a book. It was a MG fantasy that placed in a contest. It didn’t win, but I kept writing while juggling magazine work, teaching full time, parenting children with special needs, and just doing the work of staying alive.

Between 2013-2019 I wrote seven more books, and I’m currently at work on many projects. Because of the demands of my parenting/work life, I don’t write every day, though I’m usually always jotting notes throughout the day. I also tend to binge write— so I’ll get a book done in a month or two. Then, I put it aside for a few weeks, draft something new, then come back and work on revisions. My goal is usually to draft 2-3 books a year.

Question 4

Did you always want to be a writer?

Accepted Answer

No. I always loved reading and I always wrote things, but I wanted to be a marine biologist or a brain surgeon when I went to college. But, after going to school in the midwest (so far from the ocean, weeps) and breaking heaps of expensive glassware in my bio lab work study job + nearly flunking Chemistry, I opted to nurture my humanities-loving side.

Question 5

What inspires you?

Accepted Answer

I definitely pull deeply from my own life and past experiences, and I’ve also pulled stories from historical tidbits I found while researching other books; from questions that pop into my mind; and, from trying to figure out what a certain type of character would do in a certain situation. I also get ideas from smashing two or more book/movie/tv comps together and challenging myself to think about what the resulting story might look like. Oh! And sometimes I scroll through MSWL (the manuscript wishlist) to see what agents and editors are asking for and that can be inspiring in surprising ways.

Question 6

How did you get your agent?

Accepted Answer

I got my first agent via Pitch Wars 2015. She signed me for a MG adventure fantasy. We parted in summer 2017, as she was only a book-by-book agent and we weren’t a good match in other ways.

After that I wrote two new books, and spent a year in the query trenches. I queried my current agent, the marvelous Kate Testerman, in fall 2017 with a dark YA fantasy. She promptly asked for 50 pages, which I sent. Then I didn’t hear from her for a while. BUT, as it turns out, she’d been trying to contact me. She’d sent multiple emails asking for a full draft— which I never got. ACH! She finally reached out to me in early 2018 via Twitter DMs asking for a full draft. I sent it immediately (cursing my email the whole time and nearly crying over the fact that I’d missed all those emails). A few months later, I entered PitMad 2018 with a funny YA contemporary pitch. It did really well, netting me several agent offers, including one from Kate. I signed with her in summer 2018 and got to meet her that fall at the KT Literary retreat in Phoenix.

Kate’s a magical human and the perfect agent for me— kind, smart, optimistic, knowledgeable, communicative, quick to respond to emails, and very, very good at her job. I’m also so grateful that she’s here for my whole career and always willing to hear ideas for next projects. Am I gushing? Totally. But, what can I say, I love my agent. <3

Question 7

Any weird writers habits?

Accepted Answer

Since I write whenever and wherever I can, I think most of my habits are odd. I’m certainly not a light-a-few-candles-and-get-up-at-5-am type writer. Also, historically, I’ve not been the most organized: I have reams of notes on post-its and napkins, which I lose and/or find in the wash often. But I’m working on setting habits and getting organized. Thanks to a very supportive spouse, I get out of the house once a week for a 4-5 hour chunk of writing and, I’ve recently started buying enormous sketchbooks and keeping all my notes/outlines within them. Each new book or idea gets its own sketchbook. It’s a great way to stay organized and it makes me feel like they’re proto-books because they’ve got hardcovers and spines. I also swear by the Save the Cat method for outlining books, and that’s been tremendously helpful for all things pre-writing.

Perhaps my oddest writers habit is that I obsessively buy domain names for my book titles and things related to the books. Last I checked, I owned ten (!!) domains related to my books.

Question 8

What projects are you working on next?

Accepted Answer

I'm writing this in Spring 2026, and I've got lots of things in the works:

I have 3 YA book proposals out to my Peachtree editor, so fingers crossed there; I have a crossover sapphic Greek retelling heading out on sub soon; I just sold a picture book and have more I'm working on there; I'm drafting a fun new MG book; and, hopefully Becca and I will get to write more books in the Homegrown/Homeward world. More on all these soon!

Question 9

Any advice for new writers?

Accepted Answer

Don’t give up. Writing and publishing can be a long, hard slog and I think it helps for new/young writers to go in knowing that. (I (and my fragile heart) had no idea when I started. Sighhhh). Persistence and a certain amount of stubborn goddammit-I-won’t-give-up will help gird you for all the rejections and vicissitudes of the process. We hear so much about young writers getting six figure deals for their first books, but those are always the exceptional, lucky cases. Publishing is about timing, luck, and many other factors outside your control. Writing is about the joy of finding and telling a story. As much as you can, guard that joy.

I’d also say try to find a community and do everything you can to lift them up. Give more than you take and nurture relationships with other writers. Through conferences and Pitch Wars, I’ve made some dear friends who read my work (and for whom I CP for in turn). We also cheer each other on, talk throughout the day, and are generally just a tremendous support system. They’ve truly been there for me through *so* much that would’ve crushed me if I’d been going it alone.

Beyond persistence+ joy and finding community, I’d say practice your craft as much as you can. Not everything you write will be sellable, but you can learn a lot from writing it. There are also great writing resources out there, and using them for practice can help elevate your writing. I still feel like I have so much to learn and with each new book, I’m experimenting, pushing myself, and hoping to make something beautiful.

Question 10

Can you read my work?

Accepted Answer